Chant Arabe HT B section ending, Suzuki Book 1

The trickiest part of Chant Arabe (once you've mastered the even sounding left hand, the subtle changes in dynamic tension in the right hand, and the coordination to keep one legato while the other one isn't) is the last two measures of the B section.

I like to teach students to imagine the second beat of that last measure as a beat that has an "air note" in the left hand.  Here is a student playing that "air note" to perfection the day he learned to put them together.  (The LH air note matches up with the first of the two Ds in the RH in that measure.)